What I enjoyed: The stories so emotionally wrenching flow seamlessly between to allow for the women to develop and change with each generation while somehow coming full circle in the end. Amla probably has the best story; which is good because it’s also the longest. The world building around the tapestry felt genuine and so thoroughly thought out. The descriptions of all the clothing burst with color and movement. The wardrobe almost becomes a character of its own through the generations of women. The tapestry and inheritance also functions as a very smart and effective metaphor for generational trauma.
